Tuesday, February 10, 2009

i see you better when the lights are out

"the fool looks at a finger that points at the sky." /the little boy advising nino in "amélie"


--
here is the area around which i plan to live come this fall:


there's a body of water called grizzly bay! should i frequent it often, i could be a grizzly bayer! that is tops.

the grizz recording:



grizzly bear - two weeks (live on letterman)
grizzly bear - cheerleader (live)
daniel rossen - graceland (paul simon cover)

for old time's/good video's/good music's sake,
central and remote:

--


stereogum prematurely reviewed junior boys' newest album, "begone dull care." i had it on repeat for a number of hours before i actually committed my full attention to it, and at that point the listening experience transformed from something like hearing the pleasant, background white noise of a busy city at night to listening for individual nuances of sound and lyrics that the junior boys are so good at layering and arranging. "begone dull care" certainly isn't a departure from any of their previous catalogue; rather, it's the latest effort from a couple guys who keep getting better at making the music they make, and from that, it follows that this album would be their best to date. i'm not a fan of "last exit," no matter how many times i listen to it. "so this is goodbye" is worlds better (and worlds away), in my opinion. it's just a different kind of music from one to the next, but "begone dull care" is more of an extension of their previous album. early favorites include "what it's for," a fluid, futuristic gondola ride kind of song complete with about a minute and a half of droning at the end; "parallel lines," in which a sardonic, unrequited lover bemoans, "it's alright to say it just as long as you don't really think so;" "bits & pieces," a fully danceable, synthy loop of cymbals and dub beats circling around the premise of banging at the end of the night ("i see you move / i see you better when the lights are out"); and "dull to pause," which reminds me a lot of elliott smith's "in the lost and found" in that the lyrics are actually quite morose and wistful, but juxtaposed with a jolly, jaunty melody suitable for biking around on a spring day. i love that a lot of the junior boys' catalogue is like that--bummer lyrics about last goodbyes and lost girls set against the finest electronic beats this side of diplo.


--
steve jobs introduces the first ipod ever:



sony releases new stupid piece of shit that doesn't fucking work:



--
strange statues around the world:

los angeles



prague



turin, italy



salzburg


--
music from various musikblags that i'm really digging lately, without any semblance of coherence in theme or thought to tie them together, except they all make muh body groove in one way or another:

the love language - stars
antony and the johnsons - another world
antony and the johnsons - my lady story (pocket remix)
phosphorescent - 20 reasons to quit
port o'brien - is this really what it's come to?
the shivers - beauty
vetiver - everyday
devendra banhart - forget about him (kath bloom cover)
marissa nadler - river of dirt
jeremy jay - love everlasting
vega - well known pleasures
ariel pink's haunted graffiti - can't hear my eyes (this is my ringtone)
--
radiohead (thom and johnny and the usc marching band) at the grammys:



alien workshop skate video featuring two animal collective songs:


my house, currently listed on craigslist:



from splendid photos around the net:





















photoshop artworks

how to hide an airplane factory during ww2

No comments:

About Me

My photo
i don't like it--i love it. if i don't love it, i don't swallow.